Here are some of my latest photos. These are photos of my paintings. I am “cross pollinating” between media. My work extends this idea of cross pollination to include interaction between of works 2 dimensions and 3 dimensions. In this case I am taking another step in the interaction between materials by using the camera as a drawing tool. It is a tool for the capture of something fleeting, something which I have noticed and feel is deserving of longer contemplation.
Anne Ellegood uses the term ‘cross pollination’ in reference to Rosalind Krauss’ observation of wide ranging use of media and experimentation within and around the traditional definition of sculpture. Rather than artistic works being limited to one material, the definition of sculpture has expanded to include a wide variety of works. (P. 8 Introduction Motley Efforts: Sculpture’s Ever-Expanding Field, Vitamin 3-d: New Perspectives in Sculpture and Installation, Phaidon Press, 2009)
Camera Painting # 1 , 2010, © Rachael Polson, Digital Photo
Camera Painting # 8, 2010, © Rachael Polson, Digital Photo
Camera Paintings #1-14 are editions of 15 please contact
Adelaide Central Gallery, 45 Osmond Terrace
Norwood South Australia 5067, Australia
(08) 8364 2809 for details and prices
© Rachael J Polson and http://www.rachaelpolsonartist, 2010. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Rachael J Polson and http://www.rachaelpolsonartist.wordpress.com with appropriate and specific direction to the original content.
Untitled, 2009, © Rachael Polson, Thread, PVC sheeting and fixings.
Does a painting have to happen on a canvas? In line with Rosalind Krauss’ writings on Sculpture in the Expanded Field and subsequent writings by Gustavo Fares on Painting in the Expanded Field, these sculptures can be regarded as ‘paintings’. Pigment (in the form of thread) is mixed together as paint would be. Each box is like a tiny precious moment held in time.
Untitled, 2009, © Rachael Polson, Thread and Fixings
This work became known as “frozen calligraphy ” around art school, due to the trapped gestural movement inherent in the work. Each form is wrapped in bright thread. This is an attempt to trap time in the material by the repeated action of wrapping.
Untitled, 2009, © Rachael Polson, Oil on Canvas
Can a moment in time be captured in paint? Paint is a particularly good medium for recording movement. Each brushmark traps the movement made by the artist, preserving that moment on the canvas.
Untitled, 2009, © Rachael Polson. String and toothpicks.
This work is primarily formally based. Emphasis is on tonal variation, line and repetition. But we can also ‘read’ the repeated action of unravelling the string and hanging it up. Again those actions and moments are ‘trapped’ and held within the work.
“Move”, 2008, © Rachael Polson, Acrylic and gesso on paper
This is from my 3rd year studio work at Art School. I was experimenting with abstracting the human form in relation to movement and mark making as a way of trapping a gesture.
Untitled, 2009, © Rachael Polson, Oil on canvas, rope and thread
This painting/sculpture explores the interaction between 2 dimensions and 3 dimensions. Coloured wrappings on the sculpture cause the viewers eye to move back and forward across both dimensions. The aim is to interfere with the way the viewer regards the work resulting in an alternating sense of movement and stillness.
© Rachael Jean Polson and http://www.rachaelpolsonartist.wordpress.com, 2010. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Rachael Jean Polson and http://www.rachaelpolsonartist.wordpress.com with appropriate and specific direction to the original content.
Welcome to my blogsite. Please do scroll through to see all entries. Click on the images to enlarge them for a better look!